Introduction
Enjoy your art trip
Kiyoshi Kenji
Combining the stories of Kiyoshi’s art life with the visual imagery of Kenji’s art travels, air artlog takes you around the world in search of the most happening Art this planet has to offer.

 



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Hello everyone! Nice to meet you, I'm Igarashi and I've joined the AAL team since the Sonar series. I apologize for not being able to introduce myself last time due to delays in the editorial work. I really do regret not introducing myself earlier.

Anyway, onto the main topic. My first overseas report was much more difficult than I expected. I was struggling to keep up with Mr. Maeda, who I went with.
Basically, Mr. Maeda is one tough guy. At times I thought that the guy was insane. That's how tough he was. Overall though, I was able to have a really good experience (thanks to Mr. Maeda).

Looking back, I feel like I was always sweating during my time there. Of course, it's natural to sweat in the summer heat, but I was also sweating of joy over exciting encounters, and once also broke out in a cold sweat after a huge mistake I made... I also sweat while having beer and dinner after a long day of reporting, and generally sweated a lot over myriad things. I feel like physical experiences like this make the memory so much dearer. I had fruitful experiences every single day that I was at Sonar.

Today, I'd like to introduce my interviews with 4 artists. It was my first time, and yes, I messed up too. Our guest is bookbinder Isao Mitobe. We were in the same grade at University and I was constantly troubling him. I interviewed him this time at his house, and wow, his book collection is bigger each time I go.

First up is Ms. Yanagisawa's performance. I actually shot this video at the very start of the first day of the festival. I went to the venue an hour before the performance to check the stage out, and confirm the positioning of the camera. However... once the performance began and I started rolling, I realized that her face and hands aren't in the picture. The stage is high up, and the instruments are larger than I thought. And Ms. Yanagisawa is petit. I should have known... I break out in a cold sweat! Oh no! I can't shoot anything. Time is ticking away. I desperately try to swing the camera to the sides and place the camera on stage, but the performance soon ends. The results were miserable. Mr. Maeda, coming from the back of the venue, asked me how it went. My reply: "I couldn't get a thing". Truly awful.


Next is a performance with moving images and scratching (Visual-Scratch). There were 2 people on stage, and for a while, or rather until the end, I thought that the leader/V-SCRATCH was the guy scratching. I was shooting the guy scratching, all the while thinking "and who is that skinhead next to him?" I felt bad omitting him entirely, so at times I swung the camera towards his direction. How wrong I was. The skinhead was V-SCRATCH...


An interview with V-SCRATCH. By the way, I finally realized that he was V-SCRATCH when I asked for this interview. I dashed to the scratching guy after the performance, and he said “Wait there” and brought the skinhead over. That's when I realized "Oh, so this is V-SCRATCH". As I don't speak English, this was my first ever interview with a foreigner. I'm very grateful to V-SCRATCH for kindly answering my nonsensical English questions.


An Argentinian star. The uncoolness of his costume, his performance on stage... I don't know what exactly it was, but anyway, it was awesome. Check it out.


The last band of Sonar 2006. They used small, strange instruments like maracas and harmonicas, and the crowed loved it. The rapper who came on stage as a guest also hyped up the audience. Once the festival drew to a close, a sense of sadness lingered in the venue... but there's always next year!



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