sonarmatica
Sonarsound Tokyo 2006 has finally ended. How was it? I was unfortunately unable to attend due to work.
This week, I will introduce artworks displayed in Sonarmatica at Sonar 2006. From what I could tell, it didn't really stand out at Sonar, seeing as everyone was here for the music, and it was tucked underground at the MACBA... However, I rather enjoyed getting away from the bustle of the festival and slowly observing the artworks. At ARS and DEAF, it's interesting because whether it's arty or cyber-y, the live performances and artworks exist in the same atmosphere, but at Sonar each venue has its own distinct flavor, so it's as if you're resetting yourself each time.
Apparently, in recent years the multimedia exhibition is getting smaller than the musical side of the festival. Or rather, the musical aspect is growing. And although it isn't as bad as other music festivals, I can still smell the stink of commercialism. What surprised me the most was the fact that most live performances were entertainment-oriented. The most avant-garde artists out of the lot were from Japan, such as Mr. Iwai, Mr. Sawai, Mr. Horio, and Doravideo.
I guess Sonar is in the midst of expansion. It'll become a major event, attracting major musicians and a mass audience... And the multimedia team will become cool supporting acts, providing eye-opening experimental experiences for the audience and keeping Sonar's avant-garde tradition alive.
If that's the case, there's no way that we can avoid talking about Sonarmatica on our website.
